{"id":696,"date":"2019-02-17T18:43:44","date_gmt":"2019-02-17T18:43:44","guid":{"rendered":"http:\/\/csakegyszeruen.club\/home\/?p=696"},"modified":"2019-02-19T17:09:43","modified_gmt":"2019-02-19T17:09:43","slug":"19-02-2019-lazaradio-musortervezet","status":"publish","type":"post","link":"https:\/\/csakegyszeruen.club\/home\/?p=696","title":{"rendered":"19\/02\/2019 Lazar\u00e1di\u00f3"},"content":{"rendered":"

K\u00e9t h\u00e9t kihagy\u00e1s ut\u00e1n ism\u00e9t jelentkeztem a szok\u00e1sos Csak egyszer\u00faen m\u0171sorommal. A m\u0171sor zenei anyag\u00e1t a nyolcvanas \u00e9vek zen\u00e9i k\u00f6z\u00fcl v\u00e1logattam. Nagyon neh\u00e9z dolgom volt, l\u00e9v\u00e9n az ugynevezett \u00f6r\u00f6kz\u00f6ld sl\u00e1gerek nagy r\u00e9sze ezen id\u0151szakb\u00f3l sz\u00e1rmaznak. Rem\u00e9lem ez a sz\u0171k v\u00e1logat\u00e1s tetszeni fog.<\/p>\n

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Playlist name: LAZA_1905 – 19\/02\/2019 Draft<\/strong><\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
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1<\/td>\n00:00:00<\/td>\nWoodoo<\/td>\nLazar\u00e1di\u00f3 Kezdozene 2019<\/td>\n00:00:00<\/td>\n00:00:53<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
2<\/td>\n00:00:53<\/td>\nShaggy<\/td>\nStrength Of A Woman (Romain Tr<\/td>\n00:00:00<\/td>\n00:03:41<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
3<\/td>\n00:04:35<\/td>\nMichael Jackson<\/td>\nBillie Jean<\/td>\n00:00:00<\/td>\n00:04:50<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
4<\/td>\n00:09:26<\/td>\nWham<\/td>\nWake Me Up Before You Go Go<\/td>\n00:00:00<\/td>\n00:03:44<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
5<\/td>\n00:13:10<\/td>\nDavid Bowie<\/td>\nChina Girl<\/td>\n00:00:00<\/td>\n00:04:06<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
6<\/td>\n00:17:17<\/td>\nKim Wilde<\/td>\nKids In America<\/td>\n00:00:00<\/td>\n00:03:19<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
7<\/td>\n00:20:36<\/td>\nNena<\/td>\n99 Luftballons<\/td>\n00:00:00<\/td>\n00:03:42<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
8<\/td>\n00:24:19<\/td>\nBlondie<\/td>\nAtomic<\/td>\n00:00:00<\/td>\n00:03:41<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
9<\/td>\n00:28:00<\/td>\nCulture Club<\/td>\nDo You Really Want To Hurt Me<\/td>\n00:00:00<\/td>\n00:04:15<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
10<\/td>\n00:32:16<\/td>\nLimahl<\/td>\nNever Ending Story<\/td>\n00:00:00<\/td>\n00:03:19<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
11<\/td>\n00:35:35<\/td>\nLimahl<\/td>\nNeverending Story (aus „Die unendliche Geschichte”)<\/td>\n00:00:00<\/td>\n00:03:17<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
12<\/td>\n00:38:53<\/td>\nDead Or Alive<\/td>\nYou Spin Me Round (Like A Record)<\/td>\n00:00:00<\/td>\n00:04:18<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
13<\/td>\n00:43:11<\/td>\nHaircut 100<\/td>\nLove Plus One<\/td>\n00:00:00<\/td>\n00:03:29<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
14<\/td>\n00:46:41<\/td>\nKylie Minogue<\/td>\nI Should Be So Lucky<\/td>\n00:00:00<\/td>\n00:03:15<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
15<\/td>\n00:49:56<\/td>\nRick Astley<\/td>\nNever Gonna Give You Up<\/td>\n00:00:00<\/td>\n00:03:25<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
16<\/td>\n00:53:21<\/td>\nC C CATCH<\/td>\nSHAKE YOUR HEAD 2003 ( Extended Club Mix )<\/td>\n00:00:00<\/td>\n00:05:33<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
17<\/td>\n00:58:55<\/td>\nBananarama<\/td>\nLove In The First Degree<\/td>\n00:00:00<\/td>\n00:03:24<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
18<\/td>\n01:02:20<\/td>\nBros<\/td>\nWhen Will I Be Famous?<\/td>\n00:00:00<\/td>\n00:03:57<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
19<\/td>\n01:06:17<\/td>\nDebbie Gibson<\/td>\nElectric Youth<\/td>\n00:00:00<\/td>\n00:04:52<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
20<\/td>\n01:11:09<\/td>\nNEW KIDS ON THE BLOCK<\/td>\nSTEP BY STEP<\/td>\n00:00:00<\/td>\n00:04:18<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
21<\/td>\n01:15:28<\/td>\nFive Star<\/td>\nRain Or Shine<\/td>\n00:00:00<\/td>\n00:03:48<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
22<\/td>\n01:19:17<\/td>\nFRANKIE GOES TO HOLLYWOOD<\/td>\nRELAX<\/td>\n00:00:00<\/td>\n00:03:49<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
23<\/td>\n01:23:07<\/td>\nWhitney Houston<\/td>\nI Wanna Dance With Somebody (Who Loves Me)<\/td>\n00:00:00<\/td>\n00:04:41<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
24<\/td>\n01:27:48<\/td>\nAnita Baker<\/td>\nSweet Love<\/td>\n00:00:00<\/td>\n00:04:08<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
25<\/td>\n01:31:56<\/td>\nGeorge Michael<\/td>\nDifferent Corner<\/td>\n00:00:00<\/td>\n00:03:55<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
26<\/td>\n01:35:51<\/td>\nCindy Lauper<\/td>\nTrue Colours<\/td>\n00:00:00<\/td>\n00:03:43<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
27<\/td>\n01:39:34<\/td>\nChristopher Cross<\/td>\nArthur’s Theme Best That You Can Do<\/td>\n00:00:00<\/td>\n00:03:46<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
28<\/td>\n01:43:21<\/td>\nA-Ha<\/td>\nTake On Me<\/td>\n00:00:00<\/td>\n00:03:36<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
29<\/td>\n01:46:57<\/td>\nKenny Loggins<\/td>\nFootloose<\/td>\n00:00:00<\/td>\n00:03:43<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
30<\/td>\n01:50:40<\/td>\nDolly Parton<\/td>\n9 To 5<\/td>\n00:00:00<\/td>\n00:02:28<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
31<\/td>\n01:53:09<\/td>\nThe Weather Girls<\/td>\nIt’s Raining Men<\/td>\n00:00:00<\/td>\n00:03:26<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
32<\/td>\n01:56:35<\/td>\nLandscape<\/td>\nJapan<\/td>\n00:00:00<\/td>\n00:03:04<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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